Ansel Adams in Our Time
September 19, 2020 - January 3, 2021
“America’s most famous nature photographer is given a new context.” - The Wall Street Journal
For more than 50 years, Ansel Adams captured the breathtaking beauty of the United States in stunning black-and-white photographs, many of which have been frozen in a time gone by.
In Ansel Adams in Our Time, discover more than 100 of Adams’ most iconic works like never before, displayed alongside nineteenth-century photographers and contemporary artists who both influenced, and were influenced by, the legendary American artist.
Visit national parks, the American Southwest, desert and wilderness spaces, and more as you move back and forth in time with Ansel Adams and 24 of his contemporary successors including Mark Klett, Trevor Paglen, Catherine Opie, Will Wilson, Abelardo Morell, Victoria Sambunaris, and Binh Danh, whose modern-day environmental concerns point directly to Adams’ legacy. In addition to admiring the photographs themselves, explore the history and production of pre-digital photography through this unique exhibition.
This exhibition is organized by the Museum of Fine Arts, Boston.
Ansel Adams In Our Time: Exhibition Preview
Ansel Adams In Our Time: Curators Conversation
Ansel Adams Photography Contest
We want to see how Ansel Adams in Our Time inspired you to get outdoors and create your own masterpiece! Starting Saturday, September 19, post your best nature-related photograph on Instagram with the hashtag #ChannelYourInnerAnsel.
On November 1, our curators will select the top three photographs to be printed and displayed on a wall in the gallery! Full contest rules can be found here.
ConAgra Brands, Reed and Mary Ann Greenwood, Harriet and Warren Stephens, Stephens Inc., Harrison and Rhonda French Family, Marybeth and Micky Mayfield, Donna and Mack McLarty, Mark McLarty, Catherine and Stephan Roche, Lamar and Shari Steiger, Mark and Diane Simmons, Rebecca Hurst and Jim Smith | Smith Hurst, PLC, Jim and Susan von Gremp, Galen, Debi, and Alice Havner, Jeremy L. Goldstein, Dewitt and Cindy Smith, and Anonymous
The Tetons and Snake River, Grand Teton National Park, Wyoming, Ansel Adams (American, 1902 – 1984), 1942, Photograph, gelatin silver print, 2018.2733, *Museum of Fine Arts, Boston. The Lane Collection, *© The Ansel Adams Publishing Rights Trust, *Courtesy, Museum of Fine Arts, Boston.
Ansel Adams, Self-Portrait, Monument Valley, Utah, 1958, photograph, gelatin silver print. Museum of Fine Arts, Boston. The Lane Collection, 2018.2657. © The Ansel Adams Publishing Rights Trust. Courtesy, Museum of Fine Arts, Boston.
Ansel Adams, Moon and Half Dome, Yosemite National Park, 1960, photograph, gelatin silver print. Museum of Fine Arts, Boston. The Lane Collection, 2018.2681. © The Ansel Adams Publishing Rights Trust. Courtesy, Museum of Fine Arts, Boston.
Ansel Adams, Sand Dunes, Sunrise, Death Valley National Monument, California, 1948, photograph, gelatin silver print. Museum of Fine Arts, Boston. The Lane Collection, 2018.2686. © The Ansel Adams Publishing Rights Trust. Courtesy, Museum of Fine Arts, Boston.
Laura McPhee, Midsummer (Lupine and Fireweed), 2008, photograph, inkjet print. Courtesy of the artist. © Laura McPhee. Courtesy, Museum of Fine Arts, Boston.
Abelardo Morell, Tent-Camera Image on Ground: View of Mount Moran and the Snake River from Oxbow Bend, Grand Teton National Park, Wyoming, 2011, photograph, inkjet print. Abelardo Morell | Courtesy of Edwynn Houk Gallery. Courtesy, Museum of Fine Arts, Boston.
Carleton E. Watkins, Mount Starr King and Glacier Point, Yosemite, No. 69, 1865–66, photograph, mammoth albumen print from wet collodion negative. Museum of Fine Arts, Boston. Ernest Wadsworth Longfellow Fund. Courtesy, Museum of Fine Arts, Boston.
David Benjamin Sherry, Moon Over Rocks, Monument Valley, Arizona, 2013, photograph, chromogenic print. Courtesy of the artist and Salon 94, New York.
Meghann Riepenhoff, Littoral Drift #1297 (Triptych, Port Blakely, WA 08.14.19, Five Waves at Flow Tide, Propped on Barnacle Logs), 2019, photographs, dynamic cyanotypes. Courtesy Yossi Milo Gallery, New York .© Meghann Riepenhoff, Courtesy Yossi Milo Gallery, New York.
Richard Misrach, Golden Gate Bridge 3.8.98 6:30pm, 1998, photograph, chromogenic dye coupler print. Private Collection, Cambridge. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco.