A world-class collection of American art, stunning architecture, and 120 acres of Ozark forest with five miles of trails. Admission to the museum is always free.
Planning a visit to Crystal Bridges? Use this page to learn about hours, parking, and what to expect while you’re here.
We have something for all types of learners. From educator resources to family activities to scholars, find what speaks to you and engage with us.
There’s more to the museum than just the galleries— come enjoy hands-on creative fun with art classes for all ages and experience levels..
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Crystal Bridges members receive year-round perks, invitations to member-only events, travel opportunities, and more!
Museum & Buildings
Trails and Grounds open daily sunrise to sunset.
We will be closed Monday, May 13, to prepare for the visit of Antiques Roadshow. We will return to normal hours of operation Wednesday, May 15.
September 27, 2014 – January 5, 2015
This focus exhibition explores Audubon and fellow naturalist-artists’ interest in documenting America’s wildlife and plants. In addition to works by John James Audubon, the exhibition includes works by Mark Catesby, Alexander Wilson, Martin Johnson Heade, and Karl Bodmer. These artists had in common a willingness to take risks and face challenges during their expeditions to remote unexplored areas, and a commitment to create detailed studies of America’s flora and fauna based on first-hand observation.
The main focus of the exhibition is a major new art acquisition: John James Audubon’s oil painting Wild Turkey Cock, Hen and Young (1826). Audubon created oil paintings of his watercolor studies of birds to raise funds and to recruit subscribers for his famous publication The Birds of America (1827–1838). Wild Turkey Cock, Hen and Young, painted during his promotional tour in Edinburgh, Scotland in 1826, was one of his earliest oil paintings related to this major work. The American wild turkey was Audubon’s favorite subject and is the largest species in his publication. Wild Turkey (ca. 1845), on loan from the Gilcrease Museum, is an almost identical copy of the first plate of his book. The exhibition also features the New York Historical Society’s portrait of Audubon by his son John Woodhouse Audubon, as well as Crystal Bridges’ double elephant folio copy of Audubon’s Birds of America, re-issued by his son in 1861.
Black Friday is behind us, yet many of us are still finding ways to get creative with the post-Thanksgiving leftover turkey. Whether you love this traditional holiday fowl or banish…
There are so many bird illustration publications that I’ll first list, along with a few images, those works which, along with Wilson and Audubon, made significant contributions to ornithology illustration:…
This is the second of the Bird blogs. It’s a way to introduce you, our Museum community, to the Library’s wonderful collection of nineteenth-century American color-plate ornithology books. I call…
One of the most enjoyable aspects as Library Director at Crystal Bridges is learning about and sharing our amazing nineteenth-century color-plate book collection with guests. I often talk about the…
Paul and June Carter Family, Paul and Karen Mahan Randy and Valorie Lawson/ Lawco Energy Group
