A world-class collection of American art, stunning architecture, and 120 acres of Ozark forest with five miles of trails. Admission to the museum is always free.
Planning a visit to Crystal Bridges this spring? Use this guide to learn what’s on and what to expect this season.
We have something for all types of learners. From educator resources to family activities to scholars, find what speaks to you and engage with us.
Coming soon to a library near you, the art lab brings artmaking, music, storytelling, and more.
Find opportunities to give and keep art accessible to all, become a member, or join our team.
Crystal Bridges members receive year-round perks, invitations to member-only events, travel opportunities, and more!
Museum & Buildings
Trails and Grounds open daily sunrise to sunset.
The trails and museum will be closed June 6 – 8 for private events. The North Forest Trail will remain open to the public at these times.
Kick off The Dirty South Weekend with a concert uniting three legendary performers: artist, author, and poet Danny Simmons; acclaimed guitarist and songwriter Vernon Reid; and jazz and funk bassist Dwayne Dolphin.
Featuring both new works inspired by Slugs Saloon, tribute to the prolific writer Greg Tate, and The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, this night of spoken word performance, jazz, funk, and unforgettable grooves is not one to miss.
Tickets are $45 ($36 for members), reserve your spot online or with Guest Services at (479) 657-2335 today.
For one weekend only, July 15 – 17, we’re bringing together hip-hop artists, poets, scholars, and more for a multi-day event designed to explore the themes of The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse like never before. Come immerse yourself in the sounds and stories of The Dirty South as we celebrate a century of southern Black culture.
Sponsored by: Harrison and Rhonda French Family | Ramsay, Jaquita and Sarah Ball | Catherine and Stephan Roche | Esther Silver-Parker | Deborah Wright. This project is supported in part by a grant from the Arkansas Humanities Council and the National Endowment for the Humanities.