A world-class collection of American art, stunning architecture, and 120 acres of Ozark forest with five miles of trails. Admission to the museum is always free.
Planning a visit to Crystal Bridges? Use this page to learn about hours, parking, and what to expect while you’re here.
We have something for all types of learners. From educator resources to family activities to scholars, find what speaks to you and engage with us.
There’s more to the museum than just the galleries— come enjoy hands-on creative fun with art classes for all ages and experience levels..
Find opportunities to give and keep art accessible to all, become a member, or join our team.
Crystal Bridges members receive year-round perks, invitations to member-only events, travel opportunities, and more!
Museum & Buildings
Trails and Grounds open daily sunrise to sunset.
We will be closed Monday, May 13, to prepare for the visit of Antiques Roadshow. We will return to normal hours of operation Wednesday, May 15.
In honor of Asian American and Pacific Islander Heritage Month, join us for a gallery conversation about Yayoi Kusama with Senior Preparator Jorge Valenzula and Museum Educator Olivia Gutierrez. Located in museums across the world, Kusama’s Infinity Mirror Rooms take many hours to construct and require constant upkeep. In this conversation, you’ll have the chance to learn more about the artist and her famous Infinity Mirror Rooms.
Free, no tickets required.
About the Speakers
Olivia Gutierrez is the museum educator of Adult Public Programs at Crystal Bridges and oversees in-gallery programs. She holds a Master of Art in art history with an emphasis on the visual cultures of the Americas.
Jorge Valenzuela is the Senior Preparator of the collection at Crystal Bridges and has been working on various projects dedicated to maintaining the museum’s artworks for the past two and a half years. Valenzuela has been working in the field for 20 years, and he has collaborated with artists, curators, and registrars. He graduated from the School of the Museum of Fine Arts in Boston, MA, in 2005. From 2012 to 2021, Valenzuela was the Lead Preparator at the Museum of Fine Arts in St. Petersburg, Florida. Museums have made a profound impact on his life, as each work gives Valenzuela the opportunity to gain experience with something new. Each day at work, he confronts a new challenge, whether it be the lighting of the artwork, the placement, the handling, or the drafting of the project.
