A world-class collection of American art, stunning architecture, and 120 acres of Ozark forest with five miles of trails. Admission to the museum is always free.
Planning a visit to Crystal Bridges? Use this page to learn about hours, parking, and what to expect while you’re here.
We have something for all types of learners. From educator resources to family activities to scholars, find what speaks to you and engage with us.
There’s more to the museum than just the galleries— come enjoy hands-on creative fun with art classes for all ages and experience levels..
Find opportunities to give and keep art accessible to all, become a member, or join our team.
Crystal Bridges members receive year-round perks, invitations to member-only events, travel opportunities, and more!
Museum & Buildings
Trails and Grounds open daily sunrise to sunset.
Sip wine while creating beautiful, nature-inspired polymer clay décor under the guidance of 5th Street Studio’s artist-in-residence, Brenna Turner.
Inspired by clay artwork in the galleries, you’ll enjoy an evening of guided artmaking paired with drinks and light appetizers. Bring a friend and explore your creative side as we learn, unwind, and just plain have fun.
No prior experience in art is necessary to join in on the fun—we welcome guests of all experience levels. All materials are provided, along with light appetizers and one glass of beer or wine. See you there!
Tickets are $40 ($32 for members), reserve your spot online or with Guest Services at (479) 657-2335 today. Must be age 21+ to attend. Ticket includes one drink (non-alcoholic options available), light appetizers, and all materials required. Participants will need to bake their projects in an oven at home to finish them.
Brenna Turner
Born and raised in Bentonville, Arkansas, Turner Recently graduated from Alfred University School of Art and Design located in Alfred, New York. Completing her degree with a minor in dance and a focus in hand built ceramic sculptures. Turner fell in love with the movement in her pieces created with the impression of the fingerprint, and with the pinching method used to create sharp edges. Using the hand with all of its components to create an immersive conceptual pattern and searching for connection points within her work as well as pathways within the clay between her impressions, Turner’s work commonly gets compared to organic elements found in everyday nature, such as flora, coral, and more specifically fungi. This is done by the Biomorphic pattern Turner creates within her pieces.
