Jul 9, 2020 Art & Collection Pop Chalee (Merina Lujan) (Taos Pueblo, 1906-1993), Enchanted Forest, ca. 1950, Gouache on paper, 21 x 25 inches. Crystal Bridges is excited to announce the acquisition of 31 modern and contemporary artworks by 25 Native American artists from the Bruce Hartman collection in Kansas City, Missouri. The collection of 30 paintings and one sculpture date from the 1920s to 2000 and include artworks representative of San Ildefonso self-taught artists; the Santa Fe Indian School; Oklahoma artists, including the Kiowa Five/Six; modern artists embracing abstraction; and contemporary works. These artworks help expand our understanding of modern American art. San Ildefonso self-taught artists The San Ildefonso self-taught artists are often considered the beginning of Modern Pueblo painters (about 1900 into the 1930s). They worked with American anthropologist Edgar Lee Hewett, who employed the artists to document pottery designs during excavation. Hewett recognized the artists’ skills and the marketability of their work to white patrons and encouraged the artists to paint ethnographic subjects such as Pueblo dances. Stylistically the artists often negate a horizon line and intentionally omit spatial depth while emphasizing bright, outlined figures. Awa Tsireh (Alfonso Roybal) (San Ildefonso Pueblo, 1898-1955), Animal Dance, c.1925-1935, Gouache on paper, 15 ¼ x 27 inches. The Studio School In 1932, American art instructor Dorothy Dunn established The Studio School at the Federal government-run Santa Fe Indian School. Dunn embraced the so-called “flat-style” made popular by the San Ildefonso artists and encouraged her students to create works that depicted their communities and home life. Students of The Studio School eventually developed more narrative scenes with individual style. Pop Chalee, for example, utilized an unconventional approach to space and imaginative colors to yield a fantastical atmosphere in Enchanted Forest (below). Pop Chalee (Merina Lujan) (Taos Pueblo, 1906-1993), Enchanted Forest, ca. 1950, Gouache on paper, 21 x 25 inches. Many of these artists, including Harrison Begay, received national and international acclaim and were exhibited in New York at the Museum of Modern Art and in Europe (including the 1932 Venice Biennale). Pablita Velarde is arguably one of the most successful artists who came out of The Studio School, where she was the first full-time female student. Velarde was funded by the Works Progress Administration (WPA) to paint murals throughout the United States. Her use of earth-based pigments, subject matter, and color palette takes easel painting back to its historical basis of kiva murals, an important part of Pueblo culture. Pablita Velarde (Tse Tsan, Golden Dawn) (Santa Clara Pueblo, 1918-2006), Awataba Kiva Mural, 1981, Mineral pigments on board, 44 x 36 inches. Oklahoma Artists At the same time as The Studio School was gaining recognition, artists from tribes in what is now known as Oklahoma began painting scenes of everyday life. In the 1920s and ‘30s, the Kiowa Five/Six artists were a group of artists who developed a distinctive style inspired by Plains hide drawing and ledger art. Art Deco also influenced other artists in the region, as evident in Woody Crumbo’s Peyote Bird (below). Woody Crumbo (Potowatomi, 1912-1989), Peyote Bird, ca. 1940-1960, Gouache on paper, 14 ½ x 8 ¼ inches. Contemporary Artists By the mid-twentieth century, artists continued to emphasize individual styles. Some, like George Morrison, intersected with European and American painting broadly when he embraced Abstract Expressionism and moved to New York to be part of the movement. Harry Fonseca explored Native American history, storytelling, and daily life. George Morrison (Chippewa, 1919-2000), Untitled, 1953, Gouache and ink on paper, 10 ½ x 7 ½ inches. Harry Fonseca (Nisenan Maidu, Hawaiian, and Portuguese, 1946-2006), Coyote Dancer, 1980, Acrylic on canvas, 72 x 48 inches. A full list of the acquisitions can be found here: These artworks will be seen in the upcoming focus exhibition Companion Species, which will begin at Crystal Bridges on November 21. Jean Bales (Iowa, 1946-2004), Untitled, ca. 1970s-1980s Harrison Begay or Haashké yah Níyá (Navajo, 1917-2012), Round Dance, ca. 1939 – 1960s Pop Chalee or Merina Lujan (Taos Pueblo, 1906-1993), Enchanted Forest, ca. 1950 Pop Chalee or Merina Lujan (Taos Pueblo, 1906-1993), Mystical Horse, ca. 1930-1950 Woody Crumbo (Potowatomi, 1912-1989), Peyote Bird, ca. 1940-1960 Tony Da (San Ildefonso Pueblo, 1940 – 2008), Mimbres Crane with Fish, ca. 1980s Harry Fonseca (Nisenan Maidu, Hawaiian, and Portuguese, 1946-2006), Coyote Dancer, 1980 Bob Haozous (Chiricahua Apache, b. 1943), Untitled (Bear with Thundercloud), ca. 2000 Helen Hardin or Tsa-sah-wee-eh (Santa Clara Pueblo, 1943-1984), Mimbres Man and Rabbit, 1981 Ma Pe Wi or Velino Herrera (Zia Pueblo, 1902-1973), Katsina Cliffs, ca.1930-1940 Ma Pe Wi or Velino Herrera (Zia Pueblo, 1902-1973), Hunters, ca. 1935 Eva Mirabel or Eah Ha Wa (Taos Pueblo, 1898-1955), Friendship Dance, 1938 Gerald Nailor Sr. (Navajo, 1917-1952), Ruby-Throated Hummingbirds (Males Fighting), 1951 Tonita Peña or Quah Ah (San Ildefonso Pueblo, 1893-1949), Eagle Dance, ca.1925-1935 Quincy Tahoma (Navajo, 1920-1956), Buffalo Hunt, 1940 Tse Ye Mu or Romando Vigil (San Ildefonso Pueblo, 1902-1978), Animal Dance, ca.1925-1935 Awa Tsireh or Alfonso Roybal (San Ildefonso Pueblo, 1898-1955), Animal Dance, ca.1925-1935 Pablita Velarde or Tse Tsan (Santa Clara Pueblo, 1918-2006), Awataba Kiva Mural, 1981 Beatien Yazz (Navajo, 1928-2012), Buffalo Hunt, 1953 These artworks will be installed throughout the Modern and Contemporary Art Galleries this fall. Blackbear Bosin (Comanche-Kiowa, 1921-1980), Peyote Ceremony, ca. 1945-1965 David Bradley (Chippewa, b. 1954), Rio Grande Casino Landscape, 2000 Rance Hood (Comanche, b. 1941), Indian Bar, 1973 Michael Kabotie or Lomawywesa (Hopi, 1942-2009), Flute Player, 1970 Charles Lovato (Santo Domingo Pueblo, 1937- 1987), Untitled, ca. 1970s-1980s Stephen Mopope (Kiowa, 1898-1974), Untitled, 1931 Mary Morez (Navajo, 1946-2004), Yesterday, Today, Tomorrow, 1975 George Morrison (Chippewa, 1919-2000), Untitled, 1953 Awa Tsireh or Alfonso Roybal (San Ildefonso Pueblo, 1898-1955), Shalako with Mudheads, ca.1925-1935 Awa Tsireh or Alfonso Roybal (San Ildefonso Pueblo, 1898-1955), Untitled (group of 3), ca.1925-1935 This post was written by Mindy N. Besaw, curator, American art, and director of fellowships and research.
