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Photography by Davin Lavikka

It's A Good Day to Die

T.C. Cannon’s prolific artwork embodies the activism, cultural transition, and creative expression that defined America in the 1960s and 1970s. Cannon’s work reflects his cultural heritage, experience as a Vietnam War veteran, and the turbulent social and political period during which he worked. Cannon’s fearless departures from what was until then American Indian art contributed significantly to redefining Native art as well as the view many people had of Native America. Cannon used bold colorways to interrogate vibrantly diverse experiences of American history and popular culture, and exercised a rigorous mastery of Western art historical tropes while creating an entirely fresh visual vocabulary.

ArtistT.C. Cannon(1946-1978)

Kiowa and Caddo, 1946 - 1978

Date1970
MediumAcrylic and mixed media on canvas
Dimensions36 x 36 in. (91.4 x 91.4 cm)
Signedl.r., in black paint: Cannon
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, Gift of John and Susan Horseman, 2025.30
ClassificationPainting
ProvenanceThe Artist; Barabara Warner Cannon Ross (Artist’s wife), Santa Fe, NM; The Wheelwright Museum, Santa Fe, NM; Private Collection, Martha’s Vineyard, MA; Tony Abeyta, Santa Fe, NM; John and Susan Horseman, St. Louis, MO, 2024; given to Crystal Bridges Museum of American Art, Bentonville, AR, 2025
On ViewYes
It's A Good Day to Die36 × 36 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 178× the area of a tennis ball.Drawn to the same scale.