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Photography by Edward C. Robison III.

Glass Form 1966

Marvin Lipofsky is known as the “roving ambassador of glass.” These works are inspired by four continents’ worth of “hot shops” in which he experimented. This selection alone includes pieces inspired by Italy, Australia, Czechoslovakia, Japan, and California. For example, the wavy stripes of his Fratelli-Toso series were inspired by colorful Venetian glass from Murano, Italy. For the final touches, Lipofsky shipped his overseas creations back to his home studio in California. There, he etched, polished, and sandblasted these glassworks into their final forms.

Written by Aili Waller, Curatorial Intern, MA Art History in Arts of the Americas, University of Arkansas ’26

ArtistMarvin Lipofsky, 1938–2016
Date1966
MediumBlown glass
Dimensions6 1/4 x 8 x 6 1/8 in. (15.9 x 20.3 x 15.6 cm)
Signedcircling base, scratched in glass: [signature] 1966
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, Gift of the Marvin Lipofsky Studio, 2024.69
ClassificationSculpture
ProvenanceArtist; to Marvin Lipofsky Studio, Inc., Berkeley, CA, 2016; given to Crystal Bridges Museum of American Art, Bentonville, AR, 2024
On ViewNo
Glass Form 19666.3 × 8 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 6.9× the area of a tennis ball.Drawn to the same scale.