Photography by Edward C. Robison III
Untitled (Wall Hanging)
Abstract sculptor Melvin Edwards began working with barbed wire as his chosen medium in 1969. Although visually compelling, barbed wire historically symbolizes brutality. To Edwards, it represents slavery and detainment. He uses this material to create “spaces of risk” by confining it to a wall or welded metal. In describing the medium, Edwards has said, “Wire, like most linear materials, has a history both as obstacle and enclosure, but barbed wire has the added capacity of painfully dynamic and aggressive resistance if contacted unintelligently.”
ArtistMelvin Edwards, 1937–2026
Date1982
MediumWelded steel
Dimensions16 x 11 5/16 x 2 5/16 in. (40.6 x 28.7 x 5.8 cm)
Signedverso: MEL [indistinct]
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2018.2
ClassificationSculpture
ProvenanceArtist; (Stephen Friedman Fine Art, London, England); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2018
On ViewNo
This artwork's face covers about 25× the area of a tennis ball.Drawn to the same scale.