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Photography by Edward C. Robison III.

A Tight Fix—Bear Hunting, Early Winter [The Life of a Hunter: A Tight Fix]

While A Tight Fix first appears to embody American frontier mythology and rugged masculinity, the painting also references tensions and uncertainty over slavery. The man and bear in the foreground are at an impasse—both are injured, and neither combatant is winning.

Viewers in mid-nineteenth-century America may have been particularly sensitive to an impasse between white and Black fighters. Arthur Fitzwilliam Tait painted the scene during the fierce but deadlocked war over slavery in the Kansas Territory.

ArtistArthur Fitzwilliam Tait, 1819–1905
Date1856
MediumOil on canvas
Dimensions58 1/2 x 78 1/4 x 7 in.
Signedl.r., in red paint: A F Tait / NY 56
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2010.72
ClassificationPainting
Provenancepurchased for $500 by J. Campbell, Pacific Bank, San Francisco, CA, November 1856; Redlands Elk Lodge, Redlands, CA, ca. 1911-1968; (Kennedy Galleries, New York, NY), 1971; Tempel Steel Company, Chicago, IL, 1974; (Szymanski Gallery, Pasadena, CA), 1980; purchased by Richard A. Manoogian [b. 1936], Detroit, MI, 1980; purchased by a private foundation for Crystal Bridges Museum of American Art, Bentonville, AR, 2004
On ViewYes
A Tight Fix—Bear Hun…58.5 × 78.3 in.Standard/Movie Poster40 × 27 in.

This artwork's face covers about 4.2× the area of a standard movie poster.Drawn to the same scale.