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Photography by Dwight Primiano

Indian Encampment

George Catlin completed this painting following travels in South America in the mid-1850s. The setting of the palm trees and lush greenery signal a tropical landscape, but the everyday scene recalls the many paintings Catlin completed of North American Plains Indian peoples decades earlier. Though based on first-hand experience and sketches of South America, Catlin was mindful of his white audience and created an idealistic vision of Indigenous life.

ArtistGeorge Catlin, 1796–1872
Dateca. 1852-1859
MediumOil on canvas
Dimensions33 1/8 x 40 5/8 x 4 3/4 in.
Signedl.r., in brown paint: G. Catlin
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2007.222
ClassificationPainting
Provenancepurchased from the Artist by Leopold I [1790-1865], King of Belgium, 1859; purchased by Richard Smithill, Rockbeare, Hants, England; (Mr. H. Williams, New York, NY), 1907; Sir Edmund Boyd Osler [1845-1924], Toronto, Canada; given to Royal Ontario Museum, Toronto, Canada; Lee Pritzer (or Pritzker?), Toronto, Canada; (Hirschl & Adler Galleries, New York, NY); (M. Knoedler & Co., New York, NY); purchased by Pierre Bergé, New York, NY; to (Sotheby's, New York, NY), December 1, 2004, sale N08032, lot 135; purchased by Private Collection, Southern United States; to (Christie's, New York, NY), November 29, 2007, sale 1911, lot 104; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2007
On ViewYes
Indian Encampment33.1 × 40.6 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 185× the area of a tennis ball.Drawn to the same scale.