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Photography by Dwight Primiano

View of Mount Washington

This painting of Mount Washington in New Hampshire, while stunning, is an artistic fiction. The area surrounding the tallest peak in the Northeast United States had already long been settled by Europeans. John Frederick Kensett rendered this scene as a site largely untouched by settlers, a popular theme for landscape artists of this era. This practice also played into the myth of America as a land of pure, rugged wilderness. Kensett assembled this work from reference sketches rather than replicating an exact vista, and included Indigenous figures in the foreground to evoke a pre-settlement scene.

ArtistJohn Frederick Kensett(1816-1872)
Date1852
MediumOil on canvas
Dimensions41 3/8 x 56 1/4 x 4 3/8 in.
Signedl.l., in brown paint: JF.K. 52.
Mark(s)verso, on canvas: PREPARED BY / THEO KELLEY / NEW YORK [stamp]
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.23
ClassificationPainting
Provenance(probably) Samuel Wadsworth Goodridge, New York, NY; (probably) to Edward Goodridge (his son), Hartford, CT, 1868; (probably) by descent to Harriet Elizabeth (Welles) Goodridge (his wife), Hartford, CT, 1906; (probably) by descent to Sophia Matson (Martha?) Goodridge (their daughter), Hartford, CT, 1906; by descent to Thaddeus Welles Goodridge (her brother), Hartford, CT, 1918; by descent until 2004; to (Hirschl & Adler Galleries, New York, NY); to Private Collection; to (Hirschl & Adler Galleries, New York, NY); Private Collection; to (Hirschl & Adler Galleries, New York, NY); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2006
On ViewNo
View of Mount Washin…41.4 × 56.3 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 319× the area of a tennis ball.Drawn to the same scale.